Archive for January, 2012
Fusion or Integration in Jazz and Listening
Recently, at a family celebration, I spent time talking with Stanley Jordan, an amazing musician and spiritual man. I’ve known Stanley for a long time, but haven’t had a conversation with him in eons.
I was particularly anxious to talk to him about his new album, Friends. It’s lush, straight ahead jazz that includes some of the best musicians around today. Listen to it for yourself—it’s getting a much deserved following.
Stanley’s not much of a chatter-box, so I didn’t want to usurp his time or impose upon his attention, but he offered that he had studied with Ken Wilber, a Boulder-based modern philosopher. I asked why the interest.
In a very tiny and not well-understood nutshell, fusion indicates that separate entities are put together, or fused, until the original entities no longer exist. For example, jazz fusion isn’t a musical style, instead it’s a collection of various musical styles. In medicine, fused backs were once a series of disparate vertebrae, but when fused, become one strong mass.
Integration, on the other hand, also includes various entities, but they retain their integrity. On Wilber’s website it says, humanity lives with the awareness necessary to compassionately integrate the fragmented and partial perspectives of differing pursuits of the good life. I don’t have a medical analogy other than Siamese Twins who might share a body part, but they remain two different people.
Besides being fascinated by what Stanley was saying about his studies with Ken Wilber, and how they influenced his music, I wanted to know how they pertained to listening. So I briefly explained my work to Stanley and asked what he thought the relationship is.
I don’t remember his exact words, but he said a few insightful things that have stuck with me:
- Good listeners are probably integrators. They take in words or sounds, but they allow the words/sounds to hold their own meaning, rather than fusing them into a whole new, and maybe different, meaning. I interpreted that to say that a good listener hears what is said and doesn’t layer on personal assumptions that will change the intention or message. They might add to the information, but they won’t alter it.
- Musicians don’t need to use words to integrate their playing. They play and play together until their instruments blend. Their mirror neurons fire when they are in sync.
- Sometimes a musician is the lead, and sometimes the backup, but whatever the position, s/he’s always cognizant of what everyone else in the group is “saying” (playing) so there’s unified, not conflicting, statements.
How does fusion and integration show up for you?
To read an interview with Stanley, read Downbeat Magazine, February 2012. In it he expounds upon the difference between Fusion and Integration and Friends.